Tom Marshall has worked in sound for the past two decades. Current & upcoming work includes the West End transfer of White Christmas (Dominion Theatre), The Boy in the Dress (RSC), My Beautiful Laundrette and West Side Story (Curve Leicester).
Other Sound Design credits include: Grease (UK Tour), The Color Purple (Curve), Amelie (UK Tour), White Christmas (Curve), Moll Flanders (Mercury Theatre), Oklahoma! (Grange Park Opera), An Officer And A Gentleman (UK Tour), The Jungle Book (UK tour), Sunset Boulevard (UK Tour), Project Polunin (Sadlers Wells & London Coliseum), Crazy for You (UK Tour), Nativity! (UK Tour), Flashdance (UK & Korea Tours), A Little Night Music (Watermill Theatre), Working (Southwark Playhouse), The Life (Arts Ed School, London), Brass (Hackney Empire), Bugsy Malone (Curve), Crazy for You (Watermill Theatre), Oliver! (Grange Park Opera) Legally Blonde (Curve), Tell Me on a Sunday (UK Tour), The Silver Sword (UK Tour), Sweet Charity (Curve), Oliver! (Watermill Theatre), Dirty Rotten Scoundrels (UK Tour), Women On the Verge of a Nervous Breakdown (Playhouse Theatre), The Hired Man (St. James Theatre), West Side Story (Victoria Warehouse, Manchester), My Favourite Year (Bridewell Theatre), The Tailor Made Man (Arts Theatre), Legally Blonde (Arts Educational School), Pushing up Poppies (Theatre 503).
Tom has acted as an Associate Sound Designer on over thirty shows in the UK and Europe, including The Bodyguard, Gypsy and Mary Poppins to name a few. Prior to this he worked as No.1 (Head of Sound), opening and mixing numerous large West End shows over the past two decades.
As a freelance mix engineer Tom has had the privilege of working on countless events, such as the 2012 Olympic stadium athletics and touring with many artists including; The Coral, The Bees, The Lightning Seeds, Elaine Paige, Lewis Taylor, Martina-Topley-Bird and PJ Harvey.